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MESSAGES

 

From September 4 to 6, 2009, Lisa Macuja had a 3-day, 3-city tour of SM malls in Davao, Cebu and Cagayan de Oro entitled Ballet Masterpiece:  Lisa Macuja.

After the show in the Northwing of SM City Cebu, she received a note from two girls who really pleaded with the guards and SM staff to allow them to speak to Ms. Elizalde.  They then handed this note that really made the tiredness of travel and performing disappear for that night. . .

Thank you, Luna and Balios for making the Cebu leg of the tour very memorable!  Ms. Macuja was totally surprised with the fact that there's a section in a school that bears her name!

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Ballet Manila's Lola Basyang:  A Must See!

AAVA News - Volume 12 Issue 8
Le Temps Change
by Bubut Gamboa de los Santos

Susan Macuja's gracious invitation to take our grandkids to the gala of Ballet Manila's production "Mga Kuwento Ni Lola Basyang" posed a minor challenge.  "Who is Lola Basyang?" they all asked, leaving us a bit baffled ourselves.  We did know vaguely from Pilipino class that the iconic story teller actually was Severino Reyes, but the stories were hardly familiar.

Blame that on a brainless decree when we were at school, that we speak (and think in) English all day, except during Pilipino class, lest we incur a 10 centavo fine for every Tagalog word spoken!  Nearly as brainless as our history books, which taught us to worship Americans (our Liberators) and hate the Spanish and the Japanese who collectively, in sweeping generalizations, maltreated our people.

Was that, perhaps, why we didn't care to be a people anymore, instead wishing to grow up as little brown Americans, eventually acquiring the California twang, hopping on a plane to America soon as we got our college diplomas?  Thankfully we have thinking parents and enlightened teachers who knew otherwise.  Today, thank goodness for the internet, we are able to piece together authentic bits of our real heritage, late in the day!

In 1922 Don Ramon Roces and co-editor Severino Reyes founded the most enduring and endearing of Tagalog publications, Liwayway Magazine.  Addressing the man on the street, Liwayway (meaning Dawn) was written in the best literary Tagalog of the era, with many Filipino classics serialized on its pages

Needing a space filler, Reyes had written a story for children, "Ang Plautin ni Periking", about a kind-hearted boy who went about on a flying carpet, with a magical flute.  Severino Reyes thought of adopting a pen-name, that of real-life story-teller Gervacia Guzman de Zamora who in her baro't saya, sitting on her sillon, was known to tell the most fascinating folk tales, straight out of her baul.

The first "kuwento" was a one-off effort, but readers clamoured for its reprint.  Reyes (Lola Basyang) kept the fascinating stories coming, about comic kings and gallant princes, love-struck princesses and protective angels, capres and duendes.  Over 400 stories were strung together by one common theme:  a moral to the story, admonishing children to be good, to love truly, to fight for what is right.  And, we might add, to be a good Filipino.

Lola Basyang's stories were the most widely read prose on the pages of Liwayway; when Reyes passed away in 1942, he left a glorious legacy:  The Filipino zarzuela (Walang Sugat in 1902 was his obra maestra) and a wealth of children's literature in Tagalog.  His son Pedrito Reyes, taking note of the huge readership that Pilipino "komiks" commanded in the late 40's thru to the 70's, revived Lola Basyang's stories in the genre, illustrated by Maning de Leon and Jesus Ramos.  It wasn't until 1997 that a Tahanan Books team formed by Ben Lumbera dug into the proverbial baul, publishing an anthology "The Best of Lola Basyang", which was translated to English by Gilda Cordero Fernando and illustrated by Albert Gamos.  Anvil meanwhile, picked ten stories, retold by Christine Belen, and printed a set of ten children's books.

The dawn of the movie-video age saw Sampaguita Pictures filming in 1958 two of Lola Basyang's stories, one starring Dolphy and another Gloria Romero.  In 1985, Regal Films did their take on three stories, casting matinee idols Gabby Concepcion and Nora Aunor.  Today GMA 7 holds the rights to serialize the stories on television.  Still nothing can be quite as festive and spirited as the tales told onstage, and in ballet no less!

Lisa Macuja Elizalde, back from years in Leningrad where she was making waves with her bravura dancing and technical prowess, founded Ballet Manila in 1995.  Today Ballet Manila is the country's finest classical ballet company, with 50 dancers steeped in the Vaganova discipline and a company that is prepared to perform a full-length classical ballet at moment's notice, having on its repertoire the staples Swan Lake, Don Quixote, Romeo and Juliet, the Nutcracker, Giselle, Le Corsaire, Carmen, and La Bayadere, plus the only Philippines-based prima ballerina.

Artistic Directors Macuja-Elizalde's and Osias Barroso's commitment from the very start was to bring ballet to the people, to the masses who enjoy the art form just as heartily as do the chichi crowds that come to cocktail galas.  They have been known to dance anywhere there is an audience and a floor, traveling to far flung areas of the country, just as they perform all over the world.  Dance they have done, to critical acclaim, from Russia to the Americas and all over Asia.  Today Ballet Manila's vision of performing Filipino ballets in the classical idiom, for an international audience, has become a beautiful reality.

Mga Kuwento ni Lola Basyang, a trio of stories told in such crystal clear characterization by a perfectly polished ensemble, was nothing short of dazzling.  Even toddlers staying past their bedtime were in awe, cheering the "good guys", laughing at their antics, holding their breath as bird-princes and princesses took to the skies way above their heads, or a long snake slithered past them in the form of a lantern.  Costumes were done in bold splashes of colour, and the sets so picturesque and lively the children were lost in Lola Basyang's lively stories from beginning to end.  My grandkids not only loved the entire show, they have asked to come back and see it again.

Ballet Manila runs "Mga Kuwento ni Lola Basyang" every Saturday evening at 7pm at their home, the Aliw Theater at the CCP complex.  Tickets are a steal for Pesos 100 each.  We have seen a lot of shows for children in the past year, and only this ballet and the Halloween in Space concert pass our acid test.  Wonderful introductions both, to the ballet and the symphony, respectively; our children will truly learn to love the finer things in life, perhaps soon turning their bacs to senseless local television and the noise and visual pollution it brings into our homes everyday.

Do bring the whole family, or better yet, as ticket prices are so reasonable, treat all the children of your office staff and all your employees.  Why not be instrumental in making them know and love what is truly and magnificently Filipino?

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Thanks, applause for Ms Elizalde
 

Philippine Daily Inquirer
First Posted 02:36:00 01/10/2009

Filed Under: Dance, Theatre, Entertainment (general)
 

I commend Ballet Manila led by world-class talent Liza Macuja-Elizalde for her relentless effort in giving joy to others through her awesome performances. I equally commend her sponsors, one of which is the Inquirer, for supporting her “Tatlong Kwento ni Lola Basyang” by Severino Reyes.

Last Dec. 27, my three girls and I went to Star City for the children’s annual rides. It was timely too that it was the last day of “Lola Basyang” at Aliw Theater. Imagine, for P75 each as entrance fee, we had the best time. Thanks again to Ms Elizalde and her generous sponsors. Indeed, we got more than our money’s worth.

Aside from “Lola Basyang,” we had on that same night “Pamaskong Handog” (held at Star Theater), a free 30-minute show also led by Ms Elizalde. My children and I couldn’t help but wonder where her energy comes from.

The rides became the children’s secondary fare. With the two shows, I couldn’t help but share in the happiness my children felt just by watching Ms Macuja and the other cast of Ballet Manila.

How I wish other world-class Filipino talents would show their crafts at the least expense, like Ms Elizalde does. How I wish more philanthropic sponsors would support world-class shows so more people especially children would be inspired to be the best that they can be.

The conduct of shows as part of business is, after all, not just about hoarding earnings and accumulating of profit margins. In these hard times, we badly need people like Ms Elizalde, whose passion in sharing her talent goes beyond money matters. May God bless her more! May her tribe increase!

BELEN DOCENA-ASUELO, teacher, Don Alejandro Roces Sr. Science Technology High School, Roces Avenue, Quezon City

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